Elástico de sombra
Juan Cárdenas

NOVEL | 2019 | 120 pages

Don Sando and Miguel are two veteran "macheteros," masters of an ancient afro-colombian martial art that stemmed from "shadow games," combat techniques that have been almost forgotten — and, in particular, from the legendary art of "Elástico de sombra" ("Shadow Elastic"), Colombian machete fencing that allows whoever is able to master it to fight even in absolute darkness.

This brief novel, woven together by Juan Cárdenas from oral stories told by macheteros in Cauca, becomes an homage to the invincible dignity of the oppressed and a call to the necessity of opposing with proud resistance in a country, and a continent, where the profound wounds opened up by the White Man can still be felt.

RIGHTS: spanish SEXTO PISO | spanish audio STORYTEL

He offers a text with diverse planes of reality that interlock and are woven together into a narrative thread in which macheteros — machete fencing artists — revindicate their knowhow as an art form of a century-long battle.
— Juan Camilo Rincón, El Tiempo
‘Elástico de sombra’ is one hundred serious pages, but they’re very playful on the surface, fun, lighthearted in the best sense. A novel that deserves to be read.
— Nadal Suau, El Cultural
‘Elástico de sombra’ is the sixth novel by Juan Cárdenas, one of the most original Colombian authors of his generation who, in this book, pays an extraordinary homage to the Afro-descendant culture, an odyssey that will stand through time, giving voice and protagonism to those who were negated by history, but brought back by literature.
— L.C. Bermeo Gamboa, El País Colombia
The travel, the staggered route in sequential parts, is what uplifts this story that is set in plain nature—the basin of the Cauca river is the point of departure—in the rural interior of Colombia. A landscape with Black people, indigenous people, countrymen, among which are Afro-Colombians, the last masters of the art of “machteros” who are also an example of the minorities who are overlooked and mistreated by powerful, urban whiteness...The novel culminates in the perceptible enchantment of a colloquial prose, of humble and everyday register, with a lexicon and phraseology that is crafted with true skill: the result is authentic enjoyment for the reader.
— Luis Alonso Girgado, El Ideal Gallego
The choice of the so-called black machete as a leitmotif—opposite the tool of agricultural labor that turns into a weapon in a religious crusade in pursuit of the ownership of land—serves to build a story that is a powerful vindication of the mythical African seed that crossed the Atlantic on slave ships and permeated the Caribbean basin...The oral histories of macheteros are woven through with great fluidity in Cárdenas’ narration, which gives the reader a great joy that is in danger of extinction, the kind that used to be enjoyed by firelight at home or by the warmth of a campfire that safeguarded the nights spent out in the open.
— La Voz de Galicia
An emotional and thrilling story, a literary joy (verbal and written) that proves, once again, Cárdenas’ incredible talent.
— Periódico del Mediterráneo
The initiatory trip of the two protagonists becomes a wise web of magical worlds, social wars, and doubts about the relevance of having a stranger making them known.
— La Nueva España
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BY JUAN CÁRDENAS:

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