No contar todo
Emiliano Monge

NOVEL | 2018 | 392 pages

This is a story about the need to escape from the others and from oneself; about abandonment, love and chauvinism; about what is said, what is insinuated as well as what is not said; about lies and the different forms of violence that we experiment as we become who we are.

No contar todo, a “non-fiction novel”, introduces us to the Monge family, in particular three of its men—the grandfather, the father and the son—all while telling the story of contemporary Mexico. The grandfather, Carlos Monge McKey, whose parents were Irish, fakes his own death while blowing up his brother-in-law’s quarry. The father, Carlos Monge Sánchez, breaks with his family and his own history to move to Guerrero, where he becomes a guerrilla fighter who fights alongside Genaro Vázquez, a prominent guerrilla leader. The son, Emiliano Monge García, is born ill and will spend the first five years of his life in and out of hospitals, for which he will be considered “the weak one” and will chose to live in a web of fictions and lies that with the passing of time, will become increasingly complex and from which he will not be able to escape unless he escapes from it all.

RIGHTS: spanish PENGUIN RANDOM HOUSE I english (world) SCRIBE I italian LA NUOVA FRONTIERA I french GRASSET

A novel like No contar todo by Emiliano Monge make us reconsider genres and our ideas about the novel. However, its long breath and the occasional grandiloquence with which he tells, analyzes and scrutinizes the relationship between three generations of men with the same name Monge (his grandfather his father and himself) is something that reminds us of the exuberance of the “Total Novel.” This ability to rise from the purely prosaic to the splendid is not new in his work. Already his former books showed a huge formal ambition and the ability to achieve, at times with just a few strokes, a literary discourse of important social echoes. Even in the twists and turns of a very personal novel like this one, Monge is a sharp observer of the society and times in which his narrative unfolds, as well as a critic with a point of view focused on social reflection… It seems to me that the triumph of a novel like No contar todo is that Emiliano Monge does not just settle accounts with family history and the patriarchal lineage of his past but also with the narrative traditions in front of which his prose is built.
— Antonio Ortuño, Revista UNAM
In No contar todo, the novel isn’t about exhausting all the registries of a life in one or two mottos, but about postponing, illuminating a few portions of it, making us believe that what is being read can take on the appearance of truth… Bloody Emiliano Monge, No contar todo is the novel I would have wanted to write.
— Roberto Pliego, Milenio
Emiliano Monge’s most ambitious and valuable novel in literary, social and personal terms.
— Arístegui Noticias
No contar todo is, most definitely, a journey through all the torments of a country, which have been overdiagnosed in many essays, but that clamors for the humanization its daily reality.
— Javier Lafuente, El País
Emiliano Monge’s greatest achievement in No contar todo, is definitely the form. It’s also a great story and, above all, a great story consists in how it is told. It’s also a great story and, above all, it can be destroyed in the way it is told… Emiliano Monge’s novel is able to translate that inexplicable pain. Through some streaks, passages, and the very stories with which the author knits the history. Somehow he is able to tell the pain that we have all felt, or that we are still feeling, without being aware of it and, at the same time, he does not tell everything, all while allowing the reader to actually feel the pain in his or herself.
— Lucía Treviño, SinEmbargo
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No contar todo
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Las tierras arrasadas
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Los insectos invisibles
CHILDREN'S, 2013
El cielo árido
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Morirse de memoria
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SHORT STORIES, 2008